Introductory Sequence
This “story” has 12 pages and is untitled.

These pages are intended to launch this series of stories. In any trade paperback collection, they will be reprinted in reverse order, including a reversal of panels on pages as well. Thus she dresses at the beginning of the trade and strips at the end. This should be taken into account in the illustration -- the images should be a strip if reversed. These pages are highly fetishized, as is Warriorwoman I. Each odd page is lightened, allowing -- for the beginning and end of the volume -- six pages of titles, publication information, library of congress information, introduction, afterword, biographies, other books by the creator(s) or publisher(s), and (perhaps) contents.

Page 1
A full-page shot of Warriorwoman I, circa 1942, standing naked before a mirror, as seen in that mirror. This page is lightened, including any panel borders, by perhaps 25% to 50%.

Page 2
Over six panels, we see Warriorwoman I's leg as she puts on her pantyhose. The layout is that of a grid.
1.The pantyhose just touching the tip of her toes.
2.The pantyhose about halfway over the foot.
3.The pantyhose over the foot and ankle.
4.The pantyhose nearly to the knee.
5.The pantyhose over the knee.
6.The pantyhose nearly all the way up.

Page 3
A full-page shot of Warriorwoman I’s leg as she completes putting on the pantyhose. This page is lightened, including any panel borders, by perhaps 25% to 50%.

Page 4
Over six panels, we see Warriorwoman I putting on her short skirt. Never do we see above her lower midsection. The layout is that of a grid.
1.Her feet going into the skirt. Both legs have pantyhose on them, although we've seen only one get the pantyhose.
2.The feet emerging through the skirt.
3.The skirt nearly to the knee. She's still not wearing underwear.
4.The skirt nearly to the waist.
5.The skirt going over the waist.
6.The skirt in place.

Page 5
A full-page shot half looking up her skirt, showing nothing above her lower midsection. We emphasize the pantyhose. The skirt hangs so that we only see the bottom half to the bottom third of her vagina. This page is lightened, including any panel borders, by perhaps 25% to 50%.

Page 6
Over six panels, we see Warriorwoman I putting on one of her short platform leather shoe. Never do we see above her lower midsection. The layout is that of a grid.
1.Her foot arcing downward, becoming as linear as possible, about to slide into the shoe.
2.The foot sliding in.
3.The leg sliding further in.
4.The leg wresting to slide further in.
5.The leg pushing further inside.
6.The leg inside.

Page 7
A full-page shot of the shoe and pantyhose directly above it as the leg stands upright. The leather and the platforms should be emphasized. This page is lightened, including any panel borders, by perhaps 25% to 50%.

Page 8
Over six panels, we see Warriorwoman I putting on her armor. It emphasizes the breasts with a large cup -- larger and better-shaped than her breasts. It reaches high on the breasts, thereby covering up the absence of one of them. It fastens on the back, where one side of the hinged back sections has a leather strap along it, beginning to the side of the middle edge, with snaps that snap into place against the armor on the other side of the back. It stretches down over her midsection, covering the top of her skirt -- at least when on her. In this sequence, we do not see above her neck. The layout is that of a grid.
1.A shot of her lying flat on her back in bed, pulling her one breast upwards a bit.
2.A shot of her still lying flat on her back in bed, holding the armor at the wide-open hinges to the back side, above her. The cup is aligned over her breast.
3.A shot of her still lying flat, placing the armor over her, its sides hanging at her side.
4.A shot of her sitting up in bed, holding the armor in place against her front.
5.A shot of her still sitting up, beginning to close the armor around her back.
6.A shot of her still sitting up, getting the armor completely closed on her back.

Page 9
A full-page shot in close-up of the middle back of the armor and the leather strip. One snap has been snapped and her fingers is snapping the one below it. This page is lightened, including any panel borders, by perhaps 25% to 50%.

Page 10
Over six panels, we see her putting on her "bracelets" and ankle "bracelets." The "bracelets" (all four) are harsh metal, hinged, with a metal ring running across the wrist that has a complementary hole in the other hinged portion. The rings are large enough to attach a chain. The layout is that of a grid.
1.A shot of one of her wrists as she wraps the bracelet around it.
2.A shot of her closing the bracelet around that wrist, slipping the ring through the hole.
3.A close-up shot of the base of the ring as the bracelet is about to lock into place by the addition of a metal wedge, like a curved metal rectangle, identical to the bracelet in form and appearance, that would fit into the hole (when the ring was not in it) but with a semi-circle cut out of it on either side. This wedge snaps into place and fills the indention left by the open hole, thus securing the bracelet together. In this shot, she is holding this wedge, about to snap -- or wedge -- it into place.
4.A shot of her with the bracelet around the other wrist, snapping the wedge into it. We see the wrist of the hand doing the snapping, and its bracelet is secure.
5.A shot of her closing an ankle bracelet around her ankle. We see her other ankle, braceletless.
6.A shot of her snapping the wedge into place on the other ankle bracelet. We see her other ankle, its bracelet in place with the wedge.

Page 11
A full-page close-up of her snapping this last wedge into place on her second ankle. We thus see all of the ringed bracelets next to each other, their rings hanging very close, suggestive of how easily they could all be tied together. This page is lightened, including any panel borders, by perhaps 25% to 50%.

Page 12
Six shots in which she is standing, although we only see her in pieces. The layout is that of a grid.
1.The feet, complete with shoes and ringed ankle bracelets and the beginnings of pantyhose.
2.The legs, in pantyhose.
3.The skirt, complete with the very beginning of the armor that covers the top of the skirt, plus a bit of the pantyhose below the skirt.
4.The armored breasts, shown as suggestively as possible.
5.A shot of her wrists, held close together as if bound but missing the chains to connect the still-hanging rings. She is holding them closely together at the center of her back, thus displaying the central leather strip with its snaps at the back of the armor, plus a bit of the armor to the sides of that strip.
6.A shot of her face, as seen in the mirror, looking down at her body. Her expression is cold.